Zlabinger, Thomas

Overview

Curriculum Vitae

  1. Education


    Degree Institution Field Dates
    PhD  Graduate Center / CUNY  Ethnomusicology  2013 
    MA  Queens College / CUNY  Jazz Performance  2001 
    BA  Grinnell College  Music  1996 
  2. Full-Time Academic Experience


    Institution Rank Field Dates
    York College  Assistant Professor  Performing & Fine Arts / Music  September 2013 - present 
    York College  Lecturer, CCE  Performing & Fine Arts / Music  September 2010 - August 2013 
    York College  Instructor  Performing & Fine Arts / Music  September 2005 - August 2010 
  3. Part-Time Academic Experience


    Institution Rank Field Dates
    Marymount Manhattan College  Adjunct Instructor  Fine & Performing Arts / Music  September 2003 - June 2005 
    Hunter College  Adjunct Lecturer  Music  September 2003 - May 2004 
  4. Non Academic Experience


    Place of Employment Title Date
    Jazz at the Chapel / Illinois Jacquet Performance Space  Artistic Director  September 2008 - May 2016 
  5. Employment Record At This Institution

  6. Publications In Field Of Expertise

    1. Books:

      Zlabinger, Tom. FREE FROM JAZZ: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011). Saarbrücken, Germany: Lambert Academic Publishing, 2013. 352.

    2. Papers in Professional Journals:
      1. Articles:

        Zlabinger, Tom. "Welcoming Freedom: A Personal Evolution in Teaching Musical Improvisation in New York." American Music Review. 42.2 2013: 20-23.

        Zlabinger, Tom. "NYC Jazz Educators Unite! A Plan of Action to Improve our Pedagogy of Jazz." Crescendo. 22.1 2012: 1.

        Zlabinger, Tom. "A Fusion of Responsibilities: The Result of Seven Years of Ensemble Direction at York College." DisCover: A Journal of Scholarly Teaching. 3.1 2011: 93-99.

      2. Proceedings:
        1. Refereed Proceedings

          Zlabinger, Tom. "Enjoying the Shadow: An Examination of the Expanding Scope of Themes in Duke Ellington’s Music." International Association of Jazz Education Jazz Research Proceedings Yearbook. 2005: 39-45.

          Zlabinger, Tom. "Freedom Suite Repeat: A Look at Sonny Rollins’ Original Work in Comparison to Two Recent Reconstructions by Branford Marsalis and David S. Ware." International Association of Jazz Education Jazz Research Proceedings Yearbook. 2004: 151-4.

          Zlabinger, Tom. "Dymaxion Jazz: Ornette Coleman’s Use of Buckminster Fuller’s Theories for Inspiration and Validation." International Association of Jazz Education Jazz Research Proceedings Yearbook. 2003: 175-8.

          Zlabinger, Tom. "Two Worlds Collide: The Influence of Karlheinz Stockhausen on Miles Davis." International Association of Jazz Education Jazz Research Proceedings Yearbook. 2002: 34-9.

          Zlabinger, Tom. "Reinventing Tradition: The Extended Works of Charles Mingus." International Association of Jazz Education Jazz Research Proceedings Yearbook. 2001: 108-12.

        2. Non-Refereed Proceedings
    3. Chapters in Books:

      Zlabinger, Tom. "It’s Music, Charlie Brown: Musicians and Music Making as Depicted in the Greater Peanuts Universe." Good Grief(s): Essays on Historical and Cultural Readings of Charles M. Schulz's Peanuts. In contract (expected 2018): 30 (double-spaced).

      Zlabinger, Tom. "Jazzadelic Moments: Psychedelic Sounds and Sixties Counterculture as Embraced by Major Jazz Musicians." Global Psychedelia and Counterculture: Special issue of Rock Music Studies. In contract (expected 2018): 40 (double-spaced).

      Zlabinger, Tom. "Listening to the 24th Century: Music and Musicians Heard Throughout the Voyages of the Enterprise-D (and some of the Enterprise-E)." Immersed in the Final Frontier: Historical and Cultural Readings of Star Trek: The Next Generation. Jefferson, NC: McFarland, in press (expected 2017): 23 (double-spaced).

      Zlabinger, Tom. "I Often Feel like a Unicorn." Specialists: Passions and Careers. Montreal: Universitas Press, 2017: 56-59.

      Zlabinger, Tom. "Hearing the Force: Manifestations and Transformations of Music from Far, Far Away." A Galaxy Here and Now: Historical and Cultural Readings of Star Wars. Jefferson, NC: McFarland, 2016: 7-32.

      Zlabinger, Tom. "Jazz: Come On and Let's Get Free." The Palgrave Encyclopedia of Imperialism and Anti-Imperialism. Vol. 1. New York: Macmillan, 2016: 494-507.

      Zlabinger, Tom. "‘We Could Never Follow What You Did’: The Who and the Concert for New York City." The Who and Philosophy. Lanham, MD: Lexington Books, 2016: 223-236.

      Zlabinger, Tom. "Listening to The Endless: Music and Musicians in Neil Gaiman’s Extended Sandman Universe." Neil Gaiman in the 21st Century: Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Jefferson, NC: McFarland, 2015: 238-251.

      Zlabinger, Tom. "Listening to Yellow: Music and Musicians as Heard and Seen in The Simpsons." The Simpsons Did It! Postmodernity in Yellow. Vienna: Ferstl & Perz, 2015: 177-216.

      Zlabinger, Tom. "Listening Deeply to Lebowski: One Fan’s Attempt to Draw a Musical Map surrounding The Dude." Fan Phenomena: The Big Lebowski. Bristol, England: Intellect, 2014: 96-109.

    4. Government Reports or Monographs
    5. Book Reviews:
  7. Other Publications

    1. Books:
    2. Papers in Professional Journals:
      1. Articles:
      2. Proceedings:
        1. Refereed Proceedings
        2. Non-Refereed Proceedings
    3. Chapters in Books:
    4. Government Reports or Monographs
    5. Book Reviews:
  8. Presented Papers, Lectures, And Exhibitions And Performances

    "Resurrecting the Alien: A Student Jazz Ensemble Celebrates David Bowie" December 2016: CUNY IT Conference. John Jay College of Criminal Justice, New York, NY.

    "Guest Conductor, Jazz Ensemble" November 2015 - December 2016: Adelphi University. Garden City, NY.

    "Rave Up: The Yardbirds’ Up-Tempo Transformation of the Blues" October 2016: International Conference on the Blues. Delta State University. Cleveland, MS.

    "New York Avenue Records: Compilation Vol. 2 (CD) - original music by York College students" May 2016: New York Avenue Records. Jamaica, NY.

    "Winning Alone: A Gameful Approach to Solo Musical Improvisation" January 2016: CUNY Games Festival 3.0, Graduate Center, New York, NY.

    "Bringing DIY to Academia: The Story of New York Avenue Records" October 2015: CETL Presentation, Jamaica, NY.

    "New York Avenue Records: Compilation Vol. 1 (CD) - original music by York College students" May 2015: New York Avenue Records. Jamaica, NY.

    "Guest Conductor, Jazz Ensemble" February 2015: All-County Middle School Festival. Brooklyn, NY.

    "The Gamification of a Jazz Rehearsal" January 2015: CUNY Games Festival 2.0, Graduate Center, New York, NY.

    "‘Get It Together:’ A Fusion of Classroom and Jam Session" December 2014: New York State School Music Association (NYSSMA) Winter Conference. Rochester, NY. December 2014.

    "Robot Man, Will You Sing? Visions of Jazz Automatons" September 2014: Guelph Jazz Festival & Colloquium, Guelph, Canada.

    "Why We Improvise: An Interactive Presentation" June 2014: International Society for Improvised Music Conference, The New School, New York, NY.

    "Guest Conductor, Honors Jazz Ensemble Honors Music Festival of Music for High School Students" March 2014: Grand Street High School, Brooklyn, NY.

    "William Hooker’s live soundtrack to Oscar Micheaux’s silent film Body and Soul (1925)" February 2014: Lincoln Center, New York, NY.

    "Teaching the Art and Sound of Video Games Across Two Disciplines" January 2014: CUNY Games Festival, Graduate Center, New York, NY.

    "Free to Leave, Free to Stay: Teaching Improvisation in Large Ensembles on a Spectrum from Inside to Outside" November 2013: Society for Ethnomusicology Conference, Indianapolis, IN.

    "Widening the Spectrum of Taught Musical Improvisation: The Story of the York College Creative Ensemble" September 2013: Guelph Jazz Festival & Colloquium, Guelph, Canada.

    "PROVOST LECTURE: Jazz and Improvised Music in Vienna" September 2013: York College / CUNY.

    "International Society for Improvised Music Conference: Cross-Cultural Improvisation Workshops and Performances" July 2013: York College / CUNY.

    "Beginning Improv…Have No Fear!" May 2013: Sponsored by the Music Educators Association of New York City (MEANYC), United Federation of Teachers (UFT) Headquarters.

    "Multiplayer Classroom: Team-Teaching the Art and Sound of Video Games across Two Disciplines (with Sarah Kate Gillespie)" April 2013: CETL Presentation.

    "OUTSIGHT (CD) with Ras Moshe" 2013: straw2gold.

    "Man in the Mirror: Reflections on Michael Jackson (with Martin Atangana, LaForrest Cope, Mychel Namphy, and George White)" March 2013: African American Resource Center.

    "Guest Conductor, Inaugural Festival of Music for High School Students" March 2013: Grand Street High School, Brooklyn, NY.

    "Guest Conductor, Black Stars of the Great White Way! (with Chapman Roberts and Ben Vereen)" February 2013: Queensborough Performing Arts Center, Bayside, NY.

    "Send Out Signals (CD) with Tom DeSteno, Mat Lavelle, and Ras Moshe" 2012: Unseen Rain.

    "Towards a Literature of Improvised Music and its Pedagogy" September 2012: Guelph Jazz Festival & Colloquium, Guelph, Canada.

    "Jazz Education = Improvisation, Collaboration, Innovation" June 2012: Clemente Soto Vélez Cultural & Educational Center, New York, NY.

    "Life in the Key of Love: A Tribute to Stevie Wonder (with Martin Atangana, LaForrest Cope, Mychel Namphy, and George White)" March 2012: African American Resource Center.

    "Guest Conductor, Junior High School All-County Jazz Ensemble" March 2012: Suffolk Count Music Educators' Association All-County Music Festival, Monticello, NY.

    "Resources for Learning and Teaching Musical Improvisation" February 2012: International Society for Improvised Music Conference, William Paterson University.

    "Symphony of Souls (CD) with Jason Kao Hwang’s Spontaneous River" 2011: Mulatta Records.

    "Butch Morris' Lucky Cheng Orchestra" September - December 2011: Lucky Cheng's, New York, NY.

    "Innovative Music in Education" June 2011: Vision Festival, New York, NY.

    "Korea 21 (with AUX and Silk Road)" May 2011: Symphony Space, New York, NY.

    "MOMENT MUSIC Wien 2011 Residency" April 2011: Kollektiv Akt III, moë, Vienna, Austria.

    "DAILY NEWS FEATURE: High Note - A Big Band of NYC High Schoolers Battles for a National Title" February 2011: Daily News.

    "MACROSCOPIA (CD) with Daniel Carter, Claire DeBrunner, and Ken Silverman" 2010: métier jazz.

    "Red, White, but Where's the Blues? Observations on Contemporary Jazz and Improvised Music in Vienna from One New Yorker’s Perspective" June 2010: Universität Salzburg, Salzburg, Austria.

    "The reformARTtrio (with Walter Malli and Fritz Novotny)" January 2010: Alte Schmiede, Vienna, Austria.

    "Tom Zlabinger Trio (with Ras Moshe and Gunter Gruner)" October 2009: Austrian Cultural Forum, New York, NY.

    "Integrating Innovative Music in Our Schools" June 2009: Vision Festival, New York, NY.

    "NoisyTownGroove (with Lukas Ligeti and Daniel Pabst)" June 2009: Fluk and V.E.E.K.S., Vienna, Austria.

    "The Reform Art Unit Quintet (with Johannes Groysbeck, Hans Heisz, Sepp Mitterbauer, and Fritz Novotny)" May 2009: Alte Schmiede, Vienna, Austria.

    "Tom Zlabinger Vienna Trio (with Lukas König and Franz Oberthaler)" January 2009: Blue Tomato, Vienna, Austria.

    "The Ghost Dog Tour Compilation (CD) with Jim Ryan" 2008: Edgetone Records.

    "Guest Performer and Composer (with JazzWerkstatt Wien)" December 2008: Open Source Composers Festival, Vienna, Austria.

    "William Parker’s Introscopic Orchestra" May 2008: The Living Theatre, New York, NY.

    "Marco Eneidi's ITCHYSCRATCHY AUDIOMAZE (with Hans Falb, Andreas Menrath, Martin Siewert, and Damon Smith)" March 2008: Blue Tomato, Vienna, Austria.

    "Where Do I Belong? Creoles of Color and Music in the U.S. Before and After the Civil War" March 2007: CLASSified Information Conference, LaGuardia Community College / CUNY, Long Island City, NY.

    "From My Hometown (R&B/soul review)" July - August 2007: The Gramercy Theatre (Off-Broadway).

    "Towards Electricity: Miles Davis' Transition from Acoustic to Electric Ensembles" March 2003: Mid-Atlantic Chapter of Society for Ethnomusicology Conference, Ramapo College.

    "Transparent Sunrise (CD) with The Willie August Project" 1999: DiPhoCal Records.

  9. Patents

    None

  10. Work In Progress

    1. Books in progress:
    2. Papers in Progress:
    3. Papers submitted to journals for consideration:
    4. Research in progress:
  11. Professional Honors, Prizes, Fellowships

    Distinguished Faculty Award, York College Alumni Association: May 2016.

    Keeping Jazz Alive Award, Bartlett Foundation: September 2015.

    Outstanding Leadership Award, York College Student Government: June 2015.

    Excellence in Teaching Award, Sigma Alpha Pi: The National Society of Leadership and Success: May 2014.

    Deans’s Award for Enhancing Student Research: April 2014.

    President’s Award for Enhancing Student Research: April 2013.

    Provost’s Award for Enhancing Student Research: April 2012.

    Finalist, York College Blue Notes, Charles Mingus High School Competition: February 2012.

    Presidential Award for Outstanding Service: September 2011.

    Finalist, York College Blue Notes, Charles Mingus High School Competition: February 2011.

    Finalist, York College Blue Notes, Charles Mingus High School Competition: February 2010.

    Community Service Award, Eta Theta Lambda Chapter of Alpha Phi Alpha Fraternity: February 2008.

  12. Grants-In-Aid

  13. Institutional Service

    1. Service to the Department

      Departmental P&B: Fall 2015 - present.

      Coordinator, Music Program: Spring 2011 - present.

    2. Service to the School
    3. Service to the College

      50th Anniversary Committee: Fall 2015 - present.

      Elections Committee: Fall 2012 - present.

      Writing Intensive Advisory Committee: Fall 2010 - Spring 2014.

    4. Service to the Graduate Center
    5. Service to the University

      CUNY Music Discipline Council: Spring 2013 - present.

  14. Offices Held In Professional Societies

  15. Other Professional Activities And Public Service

  16. Teaching Activities At This Institution

    1. Courses Taught (List)
      MUS  101  Introduction to Music History 
      MUS  110  Fundamentals of Music Theory 
      MUS  139/239/339/439  Jazz Ensemble I-IV 
      MUS  146/246/346/446  Jazz Improvisation I-IV 
      MUS  250  African-American Music 
      MUS  253  History of Jazz 
      MUS / ANTH  270  Introduction to Ethnomusicology 
      MUS  299  Music Industry 
      MUS  422  Conducting 
      MUS  450  20th-Century Music and Beyond 
      HUM  320  Honors Seminar: Globalization of Jazz 
      IS  400  Seminar: Globalization of Jazz 
    2. New courses/programs developed (list):

      Harmony, MUS 223.

      Introduction to Ethnomusicology, MUS 270 / ANTH 270.

      Art & Sound of Video Games, MUS 278 / FA 278.

      History of Hip-Hop, MUS 279 / HIST 279.

      Music Industry, MUS 299.

      Form & Analysis, MUS 323.

      Jazz Improvisation III/IV, MUS 346/446.

      Globalization of Jazz, MUS 453.

      Founding Director, York College Big Band.

      Founding Director, York College Summer Jazz Program.