Introduction
to Volume 1
- Michael J. Cripps & Cynthia Haller
What Role Does
the "Glass Ceiling" Play for Women in Accounting?
- Lydia L. Bryant
Nanotechnology:
A Science Fiction or Technology of the Future?
- Tomas Cyparski
Lupus and Compliance:
The Problem of Compliance in Lupus Patients
- Amara Diggs
Playing With
Children's Minds: The Psychological Effects of Tobacco Advertising
on Children
- Joanna Hull
Sanctions
Against South Africa
- Charles S. Miller
Ebonics and
the African-American Student: Why Ebonics has a Place in the Classroom
- Stacey Thomas |

What Psychological Tactics do Tobacco Advertisers
Use to Get Children to Buy their Products?
Tobacco advertisers want to maximize their profits by gaining life-long
customers. So they target children in their advertisements to get
them hooked on cigarettes as early as possible in hopes that they
will be loyal customers for the remainder of their lives. Tobacco
advertising has had many proven psychological effects on children,
but this section will first uncover the many psychological tactics
used by these advertisers to get children to buy their products.
Tobacco advertisers use different identity tactics to influence
young people by showing them that smoking is “cool.”
Camel cigarettes did this with the use of a cartoon character in
the 1990’s that they called Joe Camel (West, 2002). The Children
Now Organization (CNO) (1998) states that a study found that twice
as many children than adults associated Joe Camel with Camel cigarettes
and that these ads were attractive.
Sponsorship, another identity tactic, according to the Physicians
for a Smoke-Free Canada Organization (PSFC) (2001) creates an association
between an exiting, fun event with the sponsoring company. In this
way sponsorship can be a powerful way of getting children to identify
with tobacco products, especially since most of these sponsored
events use celebrities that children identify with. Some celebrity
events outright influence children to buy cigarettes. In Taiwan,
RJR Salem agents arranged a concert by teen idol Hsow-Yu Chang.
The only accepted admission to this event was five empty packs of
Salem’s cigarettes, and ten empty packs to receive a sweatshirt
(Hammer, 2001). Sponsorship has also been a way for tobacco advertisers
to advertise their products and remain within the boundaries set
by tobacco advertisement bans. RJR Salem had sponsored a live concert
by Paula Abdul in Seoul, and a televised concert by Madonna in Hong-Kong,
two places where television ads for tobacco are supposed to be banned
(Hammer, 2001).
Another tactic that tobacco advertisers use is connecting cigarettes
to independence and resisting authority. It is associated with growing-up,
taking risks, and being cool, things that children crave as they
grow-up (Hammer, 2001). Kilbourne (2000) concurs by pointing out
that tobacco advertising promotes attitudes and values as well as
products. She further discusses that an example of this promotion
of certain values is when Kent cigarette ads used the slogan “the
experience you seek”. This advertisement instills in children
a value of being experienced by trying Kent cigarettes. This technique
is helpful when attempting to change children’s attitudes
towards cigarettes because they may begin to value Kent cigarettes
as a necessary growth experience.
Social learning theory suggests that “repeated exposure to
modeled behavior can result in behavioral changes in lifestyle”
(Kilbourne, 2000). Tobacco advertisers are aware of this, and they
use this technique by showing cigarette smoking in different media
so as to make smoking appear to be a normal social event. CNO (1998)
shows this by discussing that half of the top grossing films released
between 1990 and 1995, as found by a University of California study,
contained scenes in which someone smoked; a rise of 29% from the
1970’s. The Committee on Communications (1995) adds that this
repeated exposure technique has even been used in almost all PG-13
rated movies and even in G-rated movies such as Pinocchio and the
Little Mermaid.
Tobacco advertisers also use gender stereotypes in ads that target
children. Children, who learn early in their lives about what society
expects a man or a woman to be, want to live up to these societal
expectations. Tobacco advertisers use this vulnerability in creating
ads that use these societal pressures. Hoek and Sheppard (1990)
analyze this in their study by stating that boy-oriented ads tend
to have more aggressive behaviors and higher activity levels, whereas
girl-oriented ads tend to have less activity and low levels of aggression.
In addition, the girl-oriented ads focus on themes of popularity
and beauty. Kilbourne (2001) elaborates on this idea by analyzing
that tobacco advertisements aimed at girls promote tobacco use as
a form of weight control. She uses the examples of a Virginia Slim
ad which shows very thin models and reads, “more than just
a sleek shape,” and the Capri cigarette ad that reads, “the
slimmest slim in town.” Kilbourne goes on to say that tobacco
ads aimed at boys show young guys being adventurous and acting very
“macho.” These adventure themes appear to be used by
Marlboro in ads that they aim at boys. Marlboro uses an adventure
team consisting of rock climbers, bike racers, and car racers who
sport Marlboro gear and appear to be users of the cigarette brand
(Hammer, 2001).
These psychological techniques used by tobacco advertiser’s
play on children’s mental and emotional development. They
understand and use behavioral and learning theories to persuade
children to try their highly addictive product. Tobacco advertisers
also use cultural pressures to sell their product by creating an
image of a product that will fulfill some of children’s social
needs. People who criticize the tobacco industry do so because they
claim that the image created of the product does not match the true
product.
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