A world premiere at the 2011 Sundance Film Festival, the contemporary drama Pariah is the feature-length expansion of writer/director Dee Rees’ award-winning 2007 short film Pariah. Spike Lee is among the feature’s executive producers. At Sundance, cinematographer Bradford Young was honored with the [U.S. Dramatic Competition] Excellence in Cinematography Award. Adepero Oduye, who had earlier starred in the short film, portrays Alike (pronounced ah-lee-kay), a 17-year-old African-American woman who lives with her parents Audrey and Arthur (Kim Wayans and Charles Parnell) and younger sister Sharonda (Sahra Mellesse) in Brooklyn’s Fort Greene neighborhood. She has a flair for poetry, and is a good student at her local high school.

Alike is quietly but firmly embracing her identity as a lesbian. With the sometimes boisterous support of her best friend, out lesbian Laura (Pernell Walker), Alike is especially eager to find a girlfriend. At home, her parents’ marriage is strained and there is further tension in the household whenever Alike’s development becomes a topic of discussion. Pressed by her mother into making the acquaintance of a colleague’s daughter, Bina (Aasha Davis), Alike finds Bina to be unexpectedly refreshing to socialize with. Wondering how much she can confide in her family, Alike strives to get through adolescence with grace, humor, and tenacity – sometimes succeeding, sometimes not, but always moving forward.

MARK SCHULLER is former coordinator of the African American Resource Center at York College, CUNY. A writer for Huffington Post, he is the coeditor of four books, including Tectonic Shifts: Haiti since the Earthquake, and codirector of the documentary film Poto Mitan: Haitian Women, Pillars of the Global Economy. His scholarly work has been published in twenty peer reviewed articles or book chapters, and he is actively involved in Haiti solidarity efforts.

Produced and directed by John Jackson, Jr. and Deborah Thomas, along with Junior “Gabu” Wedderburn and Junior “Ista J” Manning, Bad Friday focuses on a community of Rastafarians in western Jamaica who annually commemorate the 1963 Coral Gardens incident, a moment just after the island’s independence, when the Jamaican government rounded up, jailed and tortured hundreds of Rastafarians. The feature-length documentary recounts the poignant history of violence in Jamaica through the eyes of its most iconic community and shows how people use their recollections of past traumas to imagine new possibilities for a collective future.